Meg Myers

OBC 2019: Meg Myers

Singer-songwriter brings emotional intensity to OBC lineup

April 9, 2019
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SEE MEG MYERS AT OBC 2019 NIGHT 2 WITH CATFISH AND THE BOTTLEMEN, X AMBASSADORS, K.FLAY AND GRANDSON. GET YOUR TICKETS!

Meg Myers is collapsed like a broken ragdoll on her hardwood floors in her Los Angeles apartment — crying uncontrollable, feeling something she's never felt before. It's that kind of cry you don't even wish upon your worst enemies — the kind that comes from that hidden place where all your demons are trying to break free.

You'd think something terrible had just happened, but quite the opposite. The singer/songwriter was just listening back to rough mixes of her new record, Take Me to the Disco (300 Entertainment), when a profound realization swept over her. "When I first wrote some of these new songs, I thought I knew what I was writing about. A lot had to do with a breakup. But since then I'd been on this spiritual, therapeutic journey and had a lot of revelations about myself and why I am the way I am," explains the Nashville-born, L.A.-based singer/songwriter.

"Listening back to some of these songs made me realize what I was really writing about... what was underneath it all," continues Myers, who grew up in a Jehovah's Witness household before breaking free to pursue music in L.A. at the age of 19. "All of a sudden it all made sense to me and that moment of realization just overwhelmed me with a flood of tears and joy. On the surface, I thought I was writing about love loss but I've learned it goes much deeper than that. It's going back to the child in me that needed to be healed. I've always written from a true place, but in getting to know myself better, I'm now writing from an even deeper level of honesty."

Anyone familiar with Meg Myers' work shouldn't be too surprised at the intensity of what she just said. With her first three critically acclaimed releases, the EPs Daughter in the Choir (2013) and Make a Shadow (2014), and her 2015 full-length debut, Sorry (Atlantic Records), the artist made a name for herself on the emotional intensity of her lyrics and music and her uncanny ability to vacillate between seducing the listener with an innocent whisper before jarring them with a guttural scream. Entertainment Weekly aptly described her knack for such emotive vocal dynamics as "mysteriously shape-shifting."

Billboard echoed that sentiment: "Myers delivered a strikingly visceral feeling and the sort of deeply relatable angst artists like Fiona Apple came up on. The result is at times guttural and primitive in its execution." Her unique brand of alt-rock spawned the Top 15 and Top 20 alternative radio hits, "Desire" and "Sorry," respectively, with MTV calling "Desire" the female answer to Nine Inch Nails' "Closer." Myers, who's graced the pages of every major publication from Rolling Stone to Cosmopolitan to the New York Times, landed coveted opening slots with the Pixies, Alt-J, and Awolnation, and featured on such notable festivals as Lollapalooza and Governors Ball Music Festival.

Music is a form of escapism for many. But, Myers is finally done escaping. On Take Me to the Disco, she bravely faces her own reality head-on — fearless and empowered. But there is still work to be done. Adds Myers, "Making this record was healing, cathartic, and sometimes scary, but I think it made me a better artist. And, it's just the beginning. I have a lot of work to do. I have more to confront, and more to understand... more to say."